I’m sure that wasn’t there yesterday

By Julian Broadhead
It’s fair to say that the success of Banksy, amongst other things, has thankfully led to a far more public debate over the merits of what is broadly known as ‘street art’. However, for many, what this conjures up is still only images of tagging and graffiti in their traditional forms. Street art today, is so much more and if there is one source to demonstrate this, then it is the Wooster Collective (www.woostercollective.com).
Founded in 2001 by Marc and Sara Schiller, the Wooster Collective started out as their attempt to showcase the art they appreciated and enjoyed in their local New York neighbourhood. Over the following 8 years, it has exploded into something far bigger; a showcase, rallying point and source of inspiration for street artists and followers the world over – one that invites city dwellers to join in by posting their neighbourhood finds on the site. A glance at the website today, has you looking at amazing pieces of work from places as diverse as L.A., Krakow and Montevideo, giving a truly global perspective.
Yet why should we be interested in a topic that is so often divisive? Well, for us at VivaCity, street art of the quality that the Wooster Collective champions has a number of redeeming features, which will become even more pertinent as our urban centres continue to grow. First and foremost, it can look great, enriching both its surroundings and the lives of the people who live there. Secondly, as our traditional art institutions come under increasing pressure from a variety of sources, street art remains fundamentally accessible to everyone. And finally, as is well demonstrated by a great deal of Banksy’s work, the medium is an important channel for political and social commentary.
But this is obviously just our point of view. If you have strong feelings on either side of the argument, we would love to hear from you.
